The Audio* Music Synthesis Project is music creation software. Currently it features Mojo Synth which is a polyphonic analog modelling synth that has a 64 step sequencer and can also be played from a MIDI keyboard. It attempts to emulate classic analog sounds from Roland M-100, Korg MS-20, and Mini Moog synthesizers.
Audiality is a highly scalable and portable audio engine and synthesizer. MIDI files are used in combination with scripting and modular synthesis, to minimize file sizes and maximize flexibility. Audiality can be used as a music and sound effects player in multimedia productions, or as a realtime MIDI synthesizer.
Csound is a powerful and yet easy to use musical synthesis package. Csound was constructed in the tradition of so-called music-N languages, among which the best-known is Music V. It consists of an orchestra- and score-driven executable, written in C for portability. Since Csound is a computational language, it is highly flexible and efficient; complexity is gained only at the expense of computation power. Basically, Csound reads some files and creates the result as a sound file on disk or, on faster machines, in real time through a DAC.
Signal Applications To Audio Networks is a program aimed at different signal processing tasks. The primary type of signals are audio signals. The user describes networks of different modules using a special language, and the modules are dynamically loaded libraries. The system can be used to create music from scratch, or to process already created audio files, and depending on the complexity of the network versus the capacity of the host machine, everything can be done in "real time".
Nyquist is an elegant and powerful language for sound synthesis and music composition. Unlike score languages that tend to deal only with events, or signal processing languages that tend to deal only with signals and synthesis, it handles both in a single integrated system. It is also flexible and easy to use because it is based on an interactive Lisp interpreter. You can design instruments by combining functions (much as you would using the orchestra languages of Music V, cmusic, or Csound). You can call upon these instruments and generate a sound just by typing a simple expression. You can combine simple expressions into complex ones to create a whole composition. It runs under any Unix environment, MacOS, Windows 95, and Windows NT, and it produces sound files as output (or direct audio output under Windows).
WaveSurfer is a sound visualization/manipulation tool for novice and advanced users, with a simple and intuitive user interface. It can be adapted to different tasks, such as speech research and education, speech/sound analysis, and sound annotation/transcription. You can also make more advanced/specialized applications by extending it with custom plugins or embed WaveSurfer components in other applications. Its flexible interface handles many different file formats, and it runs on many flavors of Windows and Unix. It also supports encoding and Unicode with unlimited file size, and more.
The CMU Midi Toolkit (CMT) is a collection of software for writing interactive MIDI software in C. It includes a number of handy utilities along with an application "shell" that provides timing, scheduling, and MIDI interfaces that are portable across DOS, Mac, SGI, and Amiga platforms.
FluidSynth is a real-time software synthesizer based on the SoundFont 2 specifications. It can read MIDI events from MIDI input devices or files and render them to an audio device using SoundFont instrument banks. It can also play MIDI files. Other features include real time effect control and a powerful API for embedding FluidSynth in other programs.