Csound is a powerful and yet easy to use musical synthesis package. Csound was constructed in the tradition of so-called music-N languages, among which the best-known is Music V. It consists of an orchestra- and score-driven executable, written in C for portability. Since Csound is a computational language, it is highly flexible and efficient; complexity is gained only at the expense of computation power. Basically, Csound reads some files and creates the result as a sound file on disk or, on faster machines, in real time through a DAC.
WaveSurfer is a sound visualization/manipulation tool for novice and advanced users, with a simple and intuitive user interface. It can be adapted to different tasks, such as speech research and education, speech/sound analysis, and sound annotation/transcription. You can also make more advanced/specialized applications by extending it with custom plugins or embed WaveSurfer components in other applications. Its flexible interface handles many different file formats, and it runs on many flavors of Windows and Unix. It also supports encoding and Unicode with unlimited file size, and more.
Audiality is a highly scalable and portable audio engine and synthesizer. MIDI files are used in combination with scripting and modular synthesis, to minimize file sizes and maximize flexibility. Audiality can be used as a music and sound effects player in multimedia productions, or as a realtime MIDI synthesizer.
The CMU Midi Toolkit (CMT) is a collection of software for writing interactive MIDI software in C. It includes a number of handy utilities along with an application "shell" that provides timing, scheduling, and MIDI interfaces that are portable across DOS, Mac, SGI, and Amiga platforms.
Network Auralization for Gnutella (N.A.G.) is an interactive software art tool that turns the process of searching for and downloading MP3 files into a chaotic musical collage. It searches for MP3 files that match keywords on the Gnutella network, and downloads and remixes them in real time based on the structure of the Gnutella network itself. It was commissioned by New Radio and Performing Arts, Inc. and was made possible with funding from the National Endowment for the Arts.